En
  • دکتری (1375)

    تئاتروفیلم

    کانزاس، آمریکا

    داده ای یافت نشد

    داده ای یافت نشد

    ارتباط

    رزومه

    A Comparative Study on the Avini’s Theory with Iran's 60s Sacred Defense Cinema Productions

    Seyed Meisam Motahari, Mas' ud Delkhah, Esmae'l Baniardalan, Majid Sarsangi
    Journal PapersJournal of Culture-Communication Studies , Volume 16 , Issue 30, 2015 December 1, {Pages 161-184 }

    Abstract

    One of the most fundamental problems in today's cinema is a discussion of what is referred to lack of mutual understanding between officials and artists. The record review in Hoze Honari as one of the major determinants of coordination in Iranian cinema, it can be a reference for all those involved in Iran's cinema and efficient. But what Hoze Honari as a critic the revelation of values in The New Iranian Cinema refers to Debate success in the sacred films as a cinema with special audience and yet have a value. Avini’s theory of cinema of the 60s, has raised him as the "Benchmark Index" of this movement. In this paper with the comparative methods, we scrutinize the sacred defense, with an emphasis on the Avini’s theory in 6 movies chos

    The Structuralist explanation of Patriarchal rules Dominant on the Resistance dramatic literature

    Seyed Maysam Motahari, Masoud Delkhah
    Journal PapersJournal of Woman in Culture Arts , Volume 4 , Issue 2, 2012 March 20, {Pages 45-64 }

    Abstract

    Although the status of women in dramatic literature of resistance has always been criticized by critics and researchers of theatre in our Country, there has been no change in the authors’ approach or their policy making. It seems that despite diagnosing the problem researchers and writers feel uncertain in how to tackle the problem and change the conditions. The main reason is the lack of knowledge about the nature of patriarchy that imposes its unwritten and unchangeable rules on dramatic literature in the form of unattainable tablets. This article seeks to find out the patriarchy rules governing the dramatic literature of resistance, and to prove them for detailed explanation of the subject with focusing on seven specified plays named:

    The pure man, disciple of none: Positioning Grotowski's metaphysics and" method" in contemporary Euro-Asian mysticism as represented by Krishnamurti.

    Masoud Delkhah
    Journal Papers , 1998 January , {Pages 3777-3777 }

    Abstract

    Degree: Ph. D.DegreeYear: 1997Institute: University of KansasThis dissertation explicates the metaphysical side of Jerzy Grotowski''s work. The aim of this study is to analyze and define the central concepts of Grotowski''s theatrical and post-theatrical experiments in order to position Grotowski''s metaphysics and method in contemporary Euro-Asian mysticism. Using the teachings of the twentieth century thinker and spiritual teacher, Jiddu Krishnamurti, the study aims to promote a richer understanding of the nature and aim of Grotowski''s work.

    The pure man, disciple of none: Positioning Grotowski's metaphysics and" method" in contemporary Euro-Asian mysticism as represented by Krishnamurti

    M Delkhah
    Journal Papers , , {Pages }

    Abstract

    /pro/academic_staff/delkhah/publication

    دروس نیمسال جاری

    • كارشناسي ارشد
      هدايت بازيگر در سينما ( واحد)
      دانشکده هنر، گروه كارگرداني و بازيگري
    • كارشناسي ارشد
      هدايت بازيگر در سينما ( واحد)
    • كارشناسي ارشد
      هدايت بازيگر در سينما ( واحد)
    • كارشناسي ارشد
      هدايت بازيگر در سينما ( واحد)
    • كارشناسي ارشد
      بازيگري در سينما ( واحد)
    • كارشناسي ارشد
      بازيگري در سينما ( واحد)
    • كارشناسي ارشد
      كارگاه كارگرداني پيشرفته (1) ( واحد)
    • كارشناسي ارشد
      كارگاه كارگرداني پيشرفته (1) ( واحد)
    • كارشناسي ارشد
      فنون بازيگري (2) ( واحد)
    • كارشناسي ارشد
      فنون بازيگري (2) ( واحد)
    • كارشناسي ارشد
      فنون بازيگري (2) ( واحد)
    • كارشناسي ارشد
      فنون بازيگري (2) ( واحد)

    دروس نیمسال قبل

    • كارشناسي ارشد
      كارگاه كارگرداني پيشرفته (2) ( واحد)
      دانشکده هنر، گروه كارگرداني و بازيگري
    • كارشناسي ارشد
      كارگاه كارگرداني پيشرفته (2) ( واحد)
    • كارشناسي ارشد
      مباني كارگرداني(2) ( واحد)
    • كارشناسي ارشد
      مباني كارگرداني(2) ( واحد)
    • كارشناسي ارشد
      حركت و بدن ( واحد)
    • كارشناسي ارشد
      بازيگري شيوه (متد اكتينگ) ( واحد)
    • كارشناسي ارشد
      بازيگري شيوه (متد اكتينگ) ( واحد)
    • 1400
      شيخ حسيني فرد, حسن
      مطالعه نقش و مفهوم بدن در تئاتر گروتفسكي بر پايه ي نظريات مرلوپونتي- پروژه ي عملي: كارگرداني نمايش مكبث
    • 1400
      عبدالهي, مارال
    • 1400
      فرهادي ستار, ابوذر
      داده ای یافت نشد
      داده ای یافت نشد
      داده ای یافت نشد

    مهم

    جدید

      اطلاعیه ای درج نشده است